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Publishing At The Speed Of Need

The Invisible Cost Of Free

Why "Free" Always Has a Price Tag

A Cedar Savage Press Reality Check

I grew up in a tar paper shack in Michigan's Upper Peninsula. We were so poor that if the wolf came to our door, he'd need to pack a picnic lunch to make the trip worthwhile. I learned early that "free" left a bad taste..

When something was free, it meant somebody else was paying. That somebody was usually us in ways we didn't see coming until it was too late.

Fifty years of strategic communication work - securing Olympic venues, crafting legislation, freeing wrongly imprisoned people, negotiating labor contracts - taught me the same lesson over and over: Nothing worthwhile is ever actually free. The question isn't whether you'll pay. The question is when, how much, and whether you'll even recognize the bill when it arrives.

Let me save you some expensive lessons.

The Publishing Industry's Free Trap

Walk into the publishing world as a new author and you'll drown in "free" offers before you finish your first chapter.

Free publishing! Just sign here.

Free editing! We'll fix your manuscript.

Free marketing! We'll get you on bestseller lists.

I've watched this con game for decades, and the script never changes. What they don't tell you:

Authors spend years writing books and decades trying to escape the "free" publishers who own them.

The real cost of free publishing: Your rights, your money, your time, your book's reputation, and any chance of legitimate publishing later.

Meanwhile, legitimate publishers and professional services cost money upfront but:

Free always costs more. Always.

The Exposure Economy

"We can't pay you, but think of the exposure!"

I've been hearing this line since I started freelancing as a teenager. Funny thing about exposure - you can die from it if that's all you get.

Here's my freelance track record: Decades of professional writing. One rejection slip. From Outdoor Life magazine when I was 14 and submitted a hand-written manuscript. Every other submission got accepted and paid.

You know why? Because I never worked for free.

Not because I'm mercenary. Because working for free teaches clients that your expertise has no value. And if you don't value it, why should they?

I've watched entire industries collapse under the weight of "free" work:

What actually happens:

The real cost of free work: Your reputation as a professional, your time that could have earned actual money, and the market rate for everyone in your field gets driven down because you undercut them with free.

I learned this lesson from horses, actually. When you establish yourself as the leader in a herd, you don't give away your authority for free. Once you do, it's incredibly hard to get it back.

The same applies to your professional expertise.

Why Shortcuts Cost More

The publishing world is full of shortcuts that look free but cost you everything that matters.

Free AI Writing and Editing

AI is just a tool, it only does what you tell it to do, no more, no less. Using it as your ONLY tool turns your book into another of the deluge of voice and emotion lacking soul-less drivel flooding the field

Tell tale giveaways of AI-generated books:

The real cost: Your reputation as someone with actual expertise. Once readers realize you published AI slop, good luck getting them back for your real work.

Cheap Cover Design

Your book cover is the first thing 100 % of potential readers see. It's your billboard, your storefront, your first impression. Your cover must stop people in their tracks as they wander through a WalMart book aisle. Your cover must sell what is inside it. There is no incentive to pick your book up if it has a ticky-tacky cover blending in with all the other covers.

"Free" or cheap cover design means:

The real cost: Your book never gets picked up because it looks like it's not worth reading. You can have the best content in the world, but if the cover screams "amateur," nobody will find out.

Authors spend years writing brilliant books, slap a $50 cover on them, and wonder why nobody buys. Then they spend $500 on a professional cover and suddenly have a bestseller with the exact same content inside.

Template Everything

Template websites. Template book interiors. Template marketing plans. Template everything.

Templates are fine for learning. They're terrible for succeeding.

The real cost: You look exactly like everyone else who used that template. Your website looks like 50,000 other author websites. Your book interior looks generic. Your marketing is indistinguishable from noise.

In strategic communication, the whole game is standing out from the noise. Templates are designed to make you blend in.

What Five Decades Of Studied Communication Taught Me

I've been in rooms where millions of dollars and people's lives hung on communication strategies. Olympic venue decisions. Legislation that affected thousands of people. Wrongly imprisoned people who needed freedom. Labor negotiations where one wrong move meant strikes.

You know what never worked? Free solutions.

You know what always worked? Paying for real expertise.

The Olympic Venues Story

When we were working to secure Olympic venues, we didn't use free consultants or volunteer advice or crowd sourced strategies. We brought in people who knew what they were doing, paid them what they were worth, and executed professional strategies.

The result: We got the venues.

The cities that tried to cheap out and use "free" local volunteers and amateur strategies? They didn't.

The Wrongly Imprisoned

When you're trying to free someone who's been wrongly imprisoned, you don't use free legal advice from internet forums. You don't rely on amateur communication strategies. You don't cut corners.

The result: People who had no business being in prison were freed because of real expertise in crafting the right messages to the right people.

The Labor Negotiations

Major labor negotiations don't get resolved with free mediators and amateur strategies. They get resolved when both sides bring in professionals who know what they're doing and are paid appropriately for that knowledge.

The result: Successful negotiations that left both sides better off.

The strikes that dragged on for months? Those were the ones where people tried to cheap out and handle it themselves based on what they saw others do, or use "free" services.

The Real Math That Nobody Talks About

Let's be brutally honest about what "free" actually costs:

Time Is Money

Every hour you spend fixing a "free" solution is an hour you didn't spend doing something that actually works.

Opportunity Cost

The biggest cost nobody calculates:

While you're messing with free solutions, you're not:

Authors spend six months perfecting their "free" website when a $500 professional site would have taken a week. That's five months they could have spent writing their next book.

The real cost: The book they didn't write. The readers they didn't reach. The income they didn't earn.

Reputation Damage

This is the killer that most people never see coming.

When you put out amateur-looking work because you used free/cheap solutions:

Authors have permanently damaged their careers with one badly designed book that looked free. Their next three books - even with professional covers and editing - couldn't overcome the reputation hit.

The real cost: Every sale you'll never make because readers remember your amateur work.

When Free Is Actually Free

I'm not saying never use free resources. I'm saying understand what you're really paying.

Free actually works when:

1. You're learning a skill you'll use repeatedly

Learning CSS to maintain your website? Good investment.

Learning complex graphic design for one book cover? Waste of time.

2. The free version does exactly what you need

Google Docs for drafting? Works fine.

Google Docs for professional book layout? Disaster.

3. You have more time than money

Starting out with zero budget? DIY what you can.

Have any budget at all? Pay for what matters most.

4. The learning itself has value

Figuring out social media yourself? Useful skill.

Figuring out ISBN registration yourself? Never useful again.

The key question: Am I using free tools to learn and grow, or am I using free tools to avoid investing in my professional success?

The Cedar Savage Press Approach

At Cedar Savage Press, we tell uncomfortable truths.

Here's an uncomfortable truth: Most self-published authors fail because they're trying to succeed with free solutions in a marketplace that demands professional quality.

You're competing with traditionally published books that have:

And you're trying to compete with a free cover from Canva and editing from your cousin who "likes to read."

That's not a fair fight. And it's not one you'll win.

But here's the thing: You don't need to match their entire budget. You need to invest strategically in the things that matter most.

For most authors, that's:

  1. Professional editing - The difference between readable and forgettable
  2. Professional cover design - The difference between browsed and bought
  3. Professional formatting - The difference between enjoyable and annoying

Get those three right, and you can compete with anyone.

Try to do them for free, and you're just adding to the pile of amateur work nobody reads.

What This Really Means

I grew up so poor that "free" was the only option we had. I understand the appeal. I understand the necessity.

But fifty years of strategic communication taught me this:

The most expensive option is always the one that doesn't work.

Free publishing that owns your rights forever? Expensive.

Free editing that leaves your book unreadable? Expensive.

Free cover design that ensures nobody buys? Expensive.

Free marketing advice from people who've never sold anything? Expensive.

Meanwhile:

Paying $500 for a cover that sells 1,000 extra books? Cheap.

Paying $2,000 for editing that gets you 5-star reviews? Cheap.

Paying $1,000 for professional services that save you 100 hours? Cheap.

The math is simple once you know what you're actually measuring.

The Bottom Line

Nothing worthwhile is ever free.

The question isn't whether you'll pay for quality. The question is whether you'll pay upfront for solutions that work, or pay later in wasted time, damaged reputation, and missed opportunities.

After five decades of dedicated communication work - securing Olympic venues, crafting legislation, freeing the wrongly imprisoned, negotiating successful labor contracts - I can tell you this with absolute certainty:

The amateurs look for free. The professionals invest strategically.

Which one do you want to be?


Cedar Savage Press: We tell you what works, not what you want to hear. We don't pat your back, we hold your hand.